This ranking for the USA, dated 7 June 2026, reflects the popularity of the most listened-to and best-selling current and new singles over a week. It therefore provides the most representative information possible
| TW | LW | Wks | Artist | Title |
|---|---|---|---|---|
| 1 | 1 | 6 | BRUNO MARS | I Just Might |
| 2 | 5 | 6 | OLIVIA DEAN | So Easy (To Fall In Love) |
| 3 | 2 | 6 | ELLA LANGLEY | Choosin' Texas |
| 4 | 4 | 6 | OLIVIA DEAN | Man I Need |
| 5 | 3 | 6 | BRUNO MARS | Risk It All |
| 6 | 66 | 2 | ARIANA GRANDE | Hate That I Made You Love Me |
| 7 | 6 | 6 | ELLA LANGLEY | Be Her |
| 8 | 7 | 6 | OLIVIA RODRIGO | Drop Dead |
| 9 | 9 | 6 | TAME IMPALA | Dracula |
| 10 | 8 | 6 | SOMBR | Homewrecker |
| 11 | 10 | 6 | ELLA LANGLEY & MORGAN WALLEN | I Can't Love You Anymore |
| 12 | 12 | 6 | ALEX WARREN | Fever Dream |
| 13 | 19 | 6 | ZARA LARSSON | Midnight Sun |
| 14 | 14 | 6 | RAYE | Where Is My Husband! |
| 15 | 11 | 6 | TEDDY SWIMS | Mr. Know It All |
| 16 | 17 | 3 | DRAKE | Janice STFU |
| 17 | 16 | 4 | GRACIE ABRAMS | Hit The Wall |
| 18 | 21 | 6 | LUKE COMBS | Be By You |
| 19 | 18 | 6 | NOAH KAHAN | The Great Divide |
| 20 | 20 | 6 | TAYLOR SWIFT | Opalite |
| 21 | 22 | 6 | HARRY STYLES | American Girls |
| 22 | 23 | 6 | T.I. | Let 'Em Know |
| 23 | 67 | 6 | FRENCH MONTANA & MAX B | Ever Since U Left Me (I Went Deaf) |
| 24 | 24 | 6 | HARDY, ERIC CHURCH, MORGAN WALLEN & TIM MCGRAW | McArthur |
| 25 | 25 | 6 | LUKE COMBS | Sleepless In A Hotel Room |
| 26 | 35 | 6 | SIENNA SPIRO | Die On This Hill |
| 27 | 60 | 2 | YUNG MIAMI | Spend Dat |
| 28 | 15 | 6 | BTS | Swim |
| 29 | 27 | 6 | KEHLANI | Folded |
| 30 | 63 | 6 | MADONNA & SABRINA CARPENTER | Bring Your Love |
| 31 | 29 | 6 | PINKPANTHERESS & ZARA LARSSON | Stateside |
| 32 | 30 | 6 | STELLA LEFTY | Boston |
| 33 | 28 | 6 | CAMERON WHITCOMB | Kingdom Of Fear |
| 34 | 54 | 6 | ELEVATION WORSHIP & CHANDLER MOORE | God I'm Just Grateful |
| 35 | 32 | 6 | TAYLOR SWIFT | Elizabeth Taylor |
| 36 | 26 | 6 | ONEREPUBLIC | Need Your Love |
| 37 | 34 | 3 | G FLIP | Bed On Fire |
| 38 | 36 | 4 | ELLA LANGLEY | Dandelion |
| 39 | 31 | 3 | OLIVIA RODRIGO | The Cure |
| 40 | 49 | 6 | RILEY GREEN | Change My Mind |
| 41 | 37 | 6 | RILEY GREEN | My Way |
| 42 | 41 | 6 | ELLA LANGLEY | Loving Life Again |
| 43 | 48 | 6 | DEXTER AND THE MOONROCKS | Freakin' Out |
| 44 | 42 | 6 | JOSH ROSS | Hate How You Look |
| 45 | 59 | 3 | JUSTIN BIEBER | Speed Demon |
| 46 | 64 | 2 | RILEY GREEN | Think As You Drunk |
| 47 | 33 | 3 | SHAKIRA & BURNA BOY | Dai Dai |
| 48 | 45 | 6 | JORDAN DAVIS | Turn This Truck Around |
| 49 | 50 | 6 | MORGAN WALLEN | Don't We |
| 50 | 62 | 6 | JASON ALDEAN | Don't Tell On Me |
| 51 | 40 | 6 | JOSH FAWAZ | Like A Prayer |
| 52 | 91 | 4 | FORREST FRANK | Okay! |
| 53 | 56 | 6 | MEGAN MORONEY | Beautiful Things |
| 54 | NEW | 1 | DEATH CAB FOR CUTIE | Stone Over Water |
| 55 | 77 | 6 | BABY KEEM feat. KENDRICK LAMAR & MOMO BOYD | Good Flirts |
| 56 | NEW | 1 | SARA BAREILLES | Home |
| 57 | 53 | 6 | SABRINA CARPENTER | When Did You Get Hot? |
| 58 | NEW | 1 | SARA BAREILLES feat. BRANDI CARLILE | Salt Then Sour Then Sweet |
| 59 | 84 | 4 | TEMS | What You Need |
| 60 | 79 | 5 | DJO | End Of Beginning |
| 61 | NEW | 1 | MASTODON | Your Ghost Again |
| 62 | 78 | 2 | CODY JOHNSON | Take Me Back (Leave Me There) |
| 63 | 43 | 5 | SABRINA CARPENTER | Go Go Juice |
| 64 | 38 | 4 | KEITH URBAN | Summer Breeze |
| 65 | NEW | 1 | SABRINA CARPENTER | House Tour |
| 66 | 71 | 6 | COREY KENT & KOE WETZEL | Rocky Mountain Low |
| 67 | NEW | 1 | ROLE MODEL | High Hopes 3000 |
| 68 | 65 | 6 | TUCKER WETMORE | Brunette |
| 69 | NEW | 1 | VINCE STAPLES | Cotton |
| 70 | 72 | 6 | BAILEY ZIMMERMAN | Chevy Silverado |
| 71 | NEW | 1 | MADONNA | Love Sensation |
| 72 | NEW | 1 | LAINEY WILSON & JOHN MAYER | Phone, Keys, Wallet |
| 73 | 61 | 3 | EVANESCENCE | Who Will You Follow |
| 74 | 55 | 6 | GUNNA feat. BURNA BOY | Wgft |
| 75 | 47 | 6 | KANE BROWN | Woman |
| 76 | NEW | 1 | TAYLOR SWIFT | I Knew It, I Knew You |
| 77 | NEW | 1 | DEVILDRIVER | Dead In The Water |
| 78 | 90 | 3 | DRAKE | 2 Hard 4 The Radio |
| 79 | 57 | 6 | DON TOLIVER | Body |
| 80 | NEW | 1 | SHABOOZEY | Cowgirl |
| 81 | 51 | 2 | A PERFECT CIRCLE | Starless |
| 82 | 96 | 4 | DABABY | Pop Dat Thang |
| 83 | 97 | 5 | DON TOLIVER | E85 |
| 84 | NEW | 1 | MUSE | Nightshift Superstar |
| 85 | NEW | 1 | ALEX WARREN | Passenger |
| 86 | 81 | 6 | CHRIS BROWN | Obvious |
| 87 | 75 | 6 | LADY GAGA & DOECHII | Runway |
| 88 | NEW | 1 | MERCYME | Make It Well |
| 89 | 86 | 6 | LUKE BRYAN | Country And She Knows It |
| 90 | NEW | 1 | WEEZER feat. WEDNESDAY | We Might As Well Be Strangers |
| 91 | 94 | 2 | ELLA MAI | 100 |
| 92 | 82 | 3 | SIENNA SPIRO | Material Lover |
| 93 | NEW | 1 | FORREST FRANK | The Jesus Generation |
| 94 | 88 | 4 | TYLA feat. ZARA LARSSON | She Did It Again |
| 95 | NEW | 1 | DAVE & TEMS | Raindance |
| 96 | 100 | 2 | SHAKIRA | Zoo |
| 97 | NEW | 1 | AESPA | Lemonade |
| 98 | 95 | 6 | LIL UZI VERT | What You Saying |
| 99 | 69 | 6 | BELLY GANG KUSHINGTON & YKNIECE | Friend Do Remix |
| 100 | 87 | 4 | KEITH URBAN feat. MICHAEL McDONALD | We Go Back |
| LEAVING THIS WEEK | ||||
| TAYLOR SWIFT | The Fate Of Ophelia | |||
| CHRIS BROWN feat. BRYSON TILLER | It Depends | |||
| AARON LEWIS | Give My Country Back | |||
| KACEY MUSGRAVES | Dry Spell | |||
| KENNY CHESNEY | Carry On | |||
| KEITH URBAN | Steal Away | |||
| LUKE COMBS | Days Like These | |||
| BAILEY ZIMMERMAN | The Climb | |||
| BRANDON LAKE & NICK JONAS | The Author | |||
| THE RED CLAY STRAYS | Demons In Your Choir | |||
| LE SSERAFIM | Boompala | |||
| SUBLIME | Gangstalker | |||
| PROF | Kia Boy | |||
| BEBE REXHA & DAVID GUETTA | Sad Girls | |||
| NIALL HORAN | End Of An Era | |||
| GEORGE BIRGE & LUKE BRYAN | Ride, Ride, Ride | |||
| KATSEYE | Pinky Up | |||
| JUNGLE | The Wave | |||
| SEXYY RED & KEY GLOCK | Hang Wit A Bad Bitch |
🇺🇸 US Radio + Digital Singles Chart: Airplay Winners, Label Strategies and Breakout Movers This Week
The latest US Radio + Digital Singles chart offers a fascinating snapshot of how labels are currently building hits in 2026. Unlike the download-only rankings, this chart rewards songs that are simultaneously generating consumer demand and sustained radio exposure. As a result, several of this week’s biggest movers reveal where programmers, promotion teams and audiences are aligning.
📻 Bruno Mars Is Winning the Long Game
While much of the industry remains obsessed with viral moments, BRUNO MARS continues to dominate through old-fashioned radio strength.
Both « I Just Might » and « Risk It All » remain firmly entrenched near the summit, a sign that programmers are still giving Mars exceptional support across multiple formats. Industry insiders have increasingly pointed to the singer’s ability to bridge Pop, Adult Contemporary and Hot AC audiences simultaneously, something very few artists can still achieve in today’s fragmented market.
The result is a remarkably stable chart profile that continues to outperform many streaming-driven hits once initial hype fades.
🚀 Justin Bieber’s Radio Campaign Is Finally Paying Off
One of the most important developments this week comes from JUSTIN BIEBER, whose « Speed Demon » posts one of the strongest gains inside the Top 40.
Unlike many contemporary releases, « Speed Demon » was serviced to US Pop radio several months after its initial launch, allowing Def Jam to build awareness gradually before aggressively pushing airplay. The strategy now appears to be working. The track has received renewed visibility following Bieber’s widely discussed Coachella performances and the label’s continued radio investment around the Swag II era.
For radio analysts, this looks very much like a classic « slow-burn hit » rather than an instant smash.
🎤 Sabrina Carpenter Is Turning Album Cuts Into Radio Events
Perhaps the most intriguing story this week belongs to SABRINA CARPENTER.
New entry « House Tour » arrives while « When Did You Get Hot? » and the previously surging « Go Go Juice » continue to circulate across formats.
What makes this notable is that « House Tour » was never initially viewed as the obvious radio single from Man’s Best Friend. Yet fan enthusiasm, strong streaming reaction and a highly visible music video co-directed by Carpenter herself have transformed the track into a genuine radio contender. The visual, featuring Margaret Qualley and Madelyn Cline, generated significant online conversation earlier this spring and helped extend the song’s lifespan.
For Island Records, the objective is clear: keep Carpenter omnipresent while the album cycle remains hot.
🤠 Country Radio’s New Queen Is Emerging
The combined chart reveals something that pure digital rankings only partially capture: ELLA LANGLEY is rapidly becoming one of the biggest winners at Country radio.
While download buyers have supported her for weeks, radio stations are now embracing multiple songs simultaneously. « Choosin’ Texas », « Be Her », and « I Can’t Love You Anymore » continue to accumulate exposure, a rare feat for a relatively new mainstream artist.
Country radio typically develops stars over many months rather than overnight. The fact that programmers are supporting several Langley tracks at once suggests industry confidence that she could become one of Nashville’s defining artists of this cycle.
🎧 Baby Keem Scores a Major Urban Breakthrough
One of the most eye-catching jumps belongs to BABY KEEM, whose « Good Flirts » featuring KENDRICK LAMAR and MOMO BOYD storms upward.
Urban radio programmers have increasingly added the track in recent weeks, benefiting from the continued halo effect surrounding Kendrick Lamar’s unparalleled commercial dominance. Whenever Lamar appears on a collaboration, stations often treat the release as an event record rather than a conventional feature.
The sharp rise suggests the song is beginning to move beyond core hip-hop audiences.
🌍 Tems Continues Afrobeats’ Expansion Into Mainstream Radio
Few artists have mastered crossover radio growth as effectively as TEMS.
Her solo single « What You Need » posts another substantial gain while collaboration « Raindance » alongside DAVE also climbs aggressively.
The dual success highlights a broader industry trend: Afrobeats-derived records are no longer niche additions to playlists but increasingly core programming choices across rhythmic and pop stations.
Radio executives spent years debating whether the genre could achieve long-term sustainability. The answer now appears increasingly obvious.
🚗 Luke Combs Quietly Delivers One of the Week’s Biggest Gains
Among country performers, LUKE COMBS deserves special attention.
« Be By You » makes a dramatic leap despite receiving far less media attention than some higher-profile releases. This type of movement often reflects accumulating radio audience impressions rather than sudden sales spikes.
Historically, Combs has excelled at converting radio familiarity into long-term chart longevity, and this week’s performance suggests another durable hit may be emerging.
🔥 French Montana and Max B Benefit From Hip-Hop Nostalgia
One of the chart’s most unexpected success stories comes from FRENCH MONTANA & MAX B.
« Ever Since U Left Me (I Went Deaf) » continues to advance while associated appearances elsewhere on the chart reinforce growing interest in the pair’s reunion.
For longtime hip-hop fans, Max B’s increased visibility carries considerable emotional significance. Radio stations serving urban audiences have responded enthusiastically to the collaboration’s nostalgic appeal.
🎶 RAYE Expands Beyond Pop With an Unexpected Collaboration
A particularly interesting mover this week is RAYE feat. HANS ZIMMER with « Click Clack Symphony. »
The collaboration blends cinematic production elements with contemporary songwriting, creating one of the most unusual radio records currently climbing the chart.
Programmers are often cautious when songs deviate too far from established formats. The fact that « Click Clack Symphony. » continues rising suggests audiences are responding positively to its originality.
💃 Madonna’s Strategy Is Working
Rather than relying solely on nostalgia, MADONNA is executing one of the year’s smartest promotional campaigns.
« Bring Your Love », her collaboration with SABRINA CARPENTER, continues gaining ground following the release of the ambitious CONFESSIONS II – The Film. The project generated extensive media coverage and successfully introduced Madonna’s new material to younger listeners already invested in Carpenter’s audience.
The chart gains indicate that radio is now catching up with the attention generated online.
🎯 The Real Story This Week
The biggest lesson from this chart is that radio remains remarkably influential in shaping long-term success.
While download charts can react instantly to fandom activity, the combined ranking reveals which songs are building durable foundations. This week, the strongest signals come from JUSTIN BIEBER’s carefully executed radio rollout, ELLA LANGLEY’s accelerating Country airplay, BABY KEEM’s Urban breakthrough, TEMS’ crossover expansion and SABRINA CARPENTER’s ability to transform nearly any track into a mainstream event.
In an era obsessed with streaming velocity, these are the records proving that sustained airplay still matters.

