This ranking for the USA, dated 21 June 2026, reflects the popularity of the most listened-to and best-selling current and new singles over a week. It therefore provides the most representative information possible
| TW | LW | Wks | Artist | Title |
|---|---|---|---|---|
| 1 | 2 | 8 | ELLA LANGLEY | Choosin' Texas |
| 2 | 1 | 8 | BRUNO MARS | I Just Might |
| 3 | 10 | 3 | TAYLOR SWIFT | I Knew It, I Knew You |
| 4 | 6 | 8 | ELLA LANGLEY | Be Her |
| 5 | 4 | 4 | ARIANA GRANDE | Hate That I Made You Love Me |
| 6 | 3 | 8 | OLIVIA DEAN | So Easy (To Fall In Love) |
| 7 | 5 | 8 | BRUNO MARS | Risk It All |
| 8 | 7 | 8 | OLIVIA RODRIGO | Drop Dead |
| 9 | 13 | 8 | ELLA LANGLEY & MORGAN WALLEN | I Can't Love You Anymore |
| 10 | 9 | 8 | SOMBR | Homewrecker |
| 11 | 11 | 8 | ALEX WARREN | Fever Dream |
| 12 | 8 | 8 | TAME IMPALA | Dracula |
| 13 | 14 | 8 | LUKE COMBS | Be By You |
| 14 | 22 | 4 | YUNG MIAMI | Spend Dat |
| 15 | 16 | 8 | ZARA LARSSON | Midnight Sun |
| 16 | 23 | 8 | STELLA LEFTY | Boston |
| 17 | 49 | 8 | MORGAN WALLEN | Don't We |
| 18 | 15 | 8 | TEDDY SWIMS | Mr. Know It All |
| 19 | 12 | 8 | FRENCH MONTANA & MAX B | Ever Since U Left Me (I Went Deaf) |
| 20 | 19 | 5 | DRAKE | Janice STFU |
| 21 | 18 | 8 | NOAH KAHAN | The Great Divide |
| 22 | 17 | 6 | GRACIE ABRAMS | Hit The Wall |
| 23 | 20 | 8 | HARRY STYLES | American Girls |
| 24 | 21 | 8 | MADONNA & SABRINA CARPENTER | Bring Your Love |
| 25 | 25 | 8 | HARDY, ERIC CHURCH, MORGAN WALLEN & TIM MCGRAW | McArthur |
| 26 | 33 | 8 | SIENNA SPIRO | Die On This Hill |
| 27 | 30 | 8 | LUKE COMBS | Sleepless In A Hotel Room |
| 28 | 27 | 8 | TAYLOR SWIFT | Opalite |
| 29 | 28 | 8 | PINKPANTHERESS & ZARA LARSSON | Stateside |
| 30 | 80 | 2 | BTS | Come Over |
| 31 | 24 | 8 | T.I. | Let 'Em Know |
| 32 | 34 | 8 | DEXTER AND THE MOONROCKS | Freakin' Out |
| 33 | 29 | 3 | SHABOOZEY | Cowgirl |
| 34 | 31 | 8 | OLIVIA DEAN | Man I Need |
| 35 | NEW | 1 | BLAKE SHELTON | Let Him In Anyway |
| 36 | NEW | 1 | LOCASH & PARMALEE | Let The Country Music Play |
| 37 | 35 | 6 | FORREST FRANK | Okay! |
| 38 | 41 | 6 | ELLA LANGLEY | Dandelion |
| 39 | 37 | 8 | ONEREPUBLIC | Need Your Love |
| 40 | 39 | 8 | BTS | Swim |
| 41 | 38 | 8 | ELEVATION WORSHIP & CHANDLER MOORE | God I'm Just Grateful |
| 42 | 42 | 5 | SHAKIRA & BURNA BOY | Dai Dai |
| 43 | 43 | 8 | JOSH ROSS | Hate How You Look |
| 44 | 92 | 2 | LE SSERAFIM, ILLIT & KATSEYE | Iconic By Mistake |
| 45 | NEW | 1 | OLIVIA RODRIGO | Stupid Song |
| 46 | 46 | 8 | JASON ALDEAN | Don't Tell On Me |
| 47 | 32 | 8 | CAMERON WHITCOMB | Kingdom Of Fear |
| 48 | 50 | 8 | ELLA LANGLEY | Loving Life Again |
| 49 | 51 | 5 | JUSTIN BIEBER | Speed Demon |
| 50 | NEW | 1 | HUGEL, IMAEL ANGEL & ULTRA NATÉ | Movin' To The Sun |
| 51 | 52 | 8 | MEGAN MORONEY | Beautiful Things |
| 52 | 26 | 7 | DJO | End Of Beginning |
| 53 | NEW | 1 | MOTIONLESS IN WHITE & SKYLAR GREY | R.I.P. |
| 54 | 55 | 6 | TEMS | What You Need |
| 55 | 78 | 2 | ANDREA BOCELLI, DAVID GUETTA, EJAE & MEGAN THEE STALLION | DNA (More Than A Game) |
| 56 | 88 | 4 | KENNY CHESNEY | Carry On |
| 57 | 75 | 2 | DRAKE | Shabang |
| 58 | 63 | 8 | COREY KENT & KOE WETZEL | Rocky Mountain Low |
| 59 | 95 | 4 | DAN + SHAY | Say So |
| 60 | 48 | 8 | JOSH FAWAZ | Like A Prayer |
| 61 | 67 | 8 | KANE BROWN | Woman |
| 62 | NEW | 1 | TESLA | Never Alone |
| 63 | 64 | 8 | BAILEY ZIMMERMAN | Chevy Silverado |
| 64 | RE | 4 | SIENNA SPIRO | Material Lover |
| 65 | NEW | 1 | RICK ROSS, FRENCH MONTANA & MAX B | Minks In Miami |
| 66 | 44 | 5 | OLIVIA RODRIGO | The Cure |
| 67 | 59 | 3 | SABRINA CARPENTER | House Tour |
| 68 | 69 | 5 | GEORGE BIRGE & LUKE BRYAN | Ride, Ride, Ride |
| 69 | 66 | 3 | LAINEY WILSON & JOHN MAYER | Phone, Keys, Wallet |
| 70 | 68 | 8 | CHRIS BROWN | Obvious |
| 71 | 82 | 2 | CODY JOHNSON | Horseback |
| 72 | 61 | 8 | JORDAN DAVIS | Turn This Truck Around |
| 73 | NEW | 1 | SLEEP THEORY | Bye Bye Bye |
| 74 | 74 | 5 | DRAKE | 2 Hard 4 The Radio |
| 75 | 85 | 7 | DON TOLIVER | E85 |
| 76 | 79 | 4 | ELLA MAI | 100 |
| 77 | NEW | 1 | QUICKSAND | Cool Guy |
| 78 | RE | 3 | BEBE REXHA | New Religion |
| 79 | NEW | 1 | BEARTOOTH | Bullshit |
| 80 | NEW | 1 | D12 feat. METHOD MAN | Tenderism |
| 81 | 83 | 8 | LUKE BRYAN | Country And She Knows It |
| 82 | NEW | 1 | JON BATISTE | Gospel Andante |
| 83 | 36 | 8 | TAYLOR SWIFT | Elizabeth Taylor |
| 84 | NEW | 1 | BELLA KAY | Iloveitiloveitiloveit |
| 85 | NEW | 1 | HONESTAV & MGK | Crash First |
| 86 | 62 | 8 | SABRINA CARPENTER | When Did You Get Hot? |
| 87 | NEW | 1 | BACKSTREET BOYS & PAW PATROL | Bottle Up |
| 88 | NEW | 1 | BOUNDARIES | May This Pain Never Leave |
| 89 | 81 | 6 | TYLA feat. ZARA LARSSON | She Did It Again |
| 90 | NEW | 1 | DOMINIC FIKE | Babydoll |
| 91 | 71 | 8 | RILEY GREEN | My Way |
| 92 | 96 | 3 | DAVE & TEMS | Raindance |
| 93 | RE | 2 | MOTIONLESS IN WHITE | Afraid Of The Dark |
| 94 | 76 | 7 | SABRINA CARPENTER | Go Go Juice |
| 95 | NEW | 1 | MARILYN MANSON | Exit Wound |
| 96 | 70 | 6 | DABABY | Pop Dat Thang |
| 97 | NEW | 1 | NEEDTOBREATHE | Last Drink |
| 98 | 45 | 8 | RILEY GREEN | Change My Mind |
| 99 | 93 | 5 | ZACH TOP | South Of Sanity |
| 100 | 47 | 6 | KEITH URBAN | Summer Breeze |
| LEAVING THIS WEEK | ||||
| MADONNA | Love Sensation | |||
| RAYE | Where Is My Husband! | |||
| G FLIP | Bed On Fire | |||
| EVANESCENCE | Who Will You Follow | |||
| KEITH URBAN feat. MICHAEL McDONALD | We Go Back | |||
| KEITH URBAN | Steal Away | |||
| ALEX WARREN | Passenger | |||
| HAN | Back To Life | |||
| DON TOLIVER | Body | |||
| JACK WHITE | Dollar Bill | |||
| THE MENZINGERS | Better Angels | |||
| AARON LEWIS | The Door | |||
| TUCKER WETMORE | Brunette | |||
| MARIA WIRRIES, L.J. BENET & ORIGINAL BROADWAY CAST OF THE LOST BOYS | Now, Forever | |||
| TRANSFORMERS & BRITTNEY SLAYES | The Transformers (Theme) [Reformatted Edition] | |||
| NIALL HORAN | Tastes So Good | |||
| THE REVIVALISTS | Get It Honest | |||
| BLAKE WHITEN | Barely Gettin' By | |||
| TOVE LO & STROMAE | Des Fleurs | |||
| JOHNNY VENUS | I Want You Back | |||
| RICK ROSS feat. T.I. | Mahogany Caskets | |||
| CHARLES WESLEY GODWIN & WYATT FLORES | Hey There Son |
📻 US Radio Airplay + Digital Singles: Radio Momentum Fuels This Week’s Biggest Chart Stories
Unlike a pure download ranking, this week’s combined U.S. Airplay + Digital chart highlights which songs are successfully converting consumer demand into nationwide radio support. While digital sales can ignite a hit overnight, sustained airplay remains the key ingredient behind long-term chart success. This week’s ranking showcases several notable breakthroughs, with Country radio once again proving its unmatched influence while Pop and Rock formats continue shaping the national landscape.
📡 Bruno Mars continues to dominate America’s biggest playlists
Although « I Just Might » slips one place to No. 2, Bruno Mars remains the undisputed leader on U.S. radio. The single continues to enjoy exceptional support from major CHR and Hot AC outlets including KIIS-FM Los Angeles, Kiss 108 Boston, KRBE Houston, KDWB Minneapolis, WNCI Columbus and Y100 Miami, ensuring that it remains one of the country’s most-heard current hits.
That consistency comes as no surprise. Following the release of his latest album The Romantic, Mars secured another Billboard 200 No. 1 while « I Just Might » became yet another Hot 100 chart-topper, extending one of the strongest radio legacies of the past fifteen years. Few contemporary artists combine mass radio appeal and commercial longevity as effectively as Bruno Mars.
🤠 Morgan Wallen turns expanding Country airplay into one of the week’s biggest gains
One of the chart’s most impressive climbs belongs to Morgan Wallen, whose « Don’t We » vaults from No. 49 to No. 17.
The leap is clearly supported by Country radio, where the single continues adding influential stations such as WSIX Nashville, KASE 101 Austin, KNIX Phoenix, WGAR Cleveland, WCOL Columbus and KILT Houston. As these key markets increase rotation, the song rapidly strengthens its overall chart position.
The timing coincides with another landmark year for Wallen. His latest album continues to dominate country consumption in the United States, while he remains one of Billboard’s most successful Country Airplay artists, regularly generating audience figures exceeding 30 million listeners per week on his biggest singles.
🎙️ Yung Miami breaks into the upper tier thanks to Urban radio
The biggest Top 20 breakthrough comes from Yung Miami, whose « Spend Dat » climbs from No. 22 to No. 14.
Unlike many of this week’s Country-driven gains, this surge is powered by expanding Urban and Rhythmic playlists. Major stations including HOT 97 New York, Power 106 Los Angeles, WGCI Chicago and 97.9 The Box Houston continue increasing spins, helping the record reach a significantly broader audience.
The single also benefits from growing attention surrounding Yung Miami’s current solo era, which has generated strong engagement across streaming platforms and social media, further reinforcing demand beyond traditional radio audiences.
🎧 BTS begin translating fan power into mainstream radio exposure
After debuting much lower last week, « Come Over » storms from No. 80 to No. 30, marking one of the chart’s most spectacular advances.
While the group’s fanbase initially fuelled impressive digital sales, radio programmers are now beginning to follow. The song has started appearing on playlists at several leading Top 40 stations, including KIIS-FM Los Angeles, KRBE Houston, KDWB Minneapolis and KHTS San Diego, signalling a gradual expansion beyond BTS’ core audience.
The momentum follows another major commercial milestone for the global superstars, whose latest album debuted at No. 1 on the Billboard 200, adding yet another blockbuster release to one of the decade’s most successful catalogues.
🌟 Olivia Dean confirms remarkable staying power
While newer releases dominate many headlines, Olivia Dean continues building one of the year’s strongest long-term radio campaigns.
« So Easy (To Fall In Love) » remains firmly inside the Top 10, while « Man I Need » also continues attracting consistent support across Adult Pop and Mainstream Top 40 stations including KMXV Kansas City, KZZP Phoenix, WKSC Chicago, WRVW Nashville and Kiss 108 Boston.
Dean’s breakthrough has accelerated dramatically throughout 2026, with critical acclaim translating into genuine commercial success. Her growing presence across American radio illustrates how sustained programmer confidence can transform an emerging artist into a mainstream fixture.
🎸 Rock radio injects fresh energy into the chart
This week’s combined ranking also reflects a busy week for Active Rock.
New entries from Motionless In White & Skylar Grey, Tesla, Sleep Theory, Quicksand, Beartooth, Boundaries, Marilyn Manson and NEEDTOBREATHE all benefit from immediate exposure on specialist rock stations including KISW Seattle, KUPD Phoenix, WEBN Cincinnati and WMMR Philadelphia.
Rather than relying on downloads alone, these artists continue demonstrating how dedicated Rock formats can quickly establish momentum and generate meaningful chart impact despite limited exposure on mainstream Pop stations.
🎤 Olivia Rodrigo expands her latest campaign
Another noteworthy debut comes from Olivia Rodrigo, whose new single « Stupid Song » enters directly at No. 45.
While still in the early stages of its promotional cycle, the track has already secured adds across several influential Top 40 outlets, complementing the ongoing success of « Drop Dead » and « The Cure », which both remain inside the chart.
The simultaneous presence of three current singles highlights Rodrigo’s exceptional commercial consistency, reinforcing her position among the defining pop artists of her generation.
📊 The Bottom Line
This week’s combined Airplay + Digital chart once again confirms that sustained radio exposure remains essential to building lasting hits in the United States. Country continues to dominate audience impressions through powerhouse stations such as WSIX, KNIX, WGAR and KASE, while Pop leaders like KIIS-FM, KRBE, KDWB and Kiss 108 continue driving nationwide crossover success.
From Morgan Wallen’s explosive Country surge to Bruno Mars’ relentless radio dominance and BTS’ growing mainstream acceptance, the week’s biggest winners are those successfully converting audience impressions into enduring chart momentum—proof that, even in the streaming era, America’s airwaves remain one of the industry’s most powerful hit-making forces.

