Ranking of the most downloaded current and new singles on the iTunes digital platform from the USA, compiled from daily rankings from 8 June 2026 to 12 June 2026
| TW | LW | Wks | Artist | Title |
|---|---|---|---|---|
| 1 | 47 | 2 | TAYLOR SWIFT | I Knew It, I Knew You |
| 2 | 2 | 7 | ELLA LANGLEY | Choosin' Texas |
| 3 | 3 | 7 | ELLA LANGLEY | Be Her |
| 4 | 49 | 2 | SHABOOZEY | Cowgirl |
| 5 | 1 | 3 | ARIANA GRANDE | Hate That I Made You Love Me |
| 6 | 4 | 7 | ELLA LANGLEY & MORGAN WALLEN | I Can't Love You Anymore |
| 7 | 5 | 7 | STELLA LEFTY | Boston |
| 8 | 6 | 7 | BRUNO MARS | I Just Might |
| 9 | 12 | 7 | LUKE COMBS | Be By You |
| 10 | 9 | 7 | CAMERON WHITCOMB | Kingdom Of Fear |
| 11 | 32 | 6 | FORREST FRANK | Okay! |
| 12 | 8 | 7 | OLIVIA DEAN | So Easy (To Fall In Love) |
| 13 | 51 | 2 | FRENCH MONTANA & MAX B | Ever Since U Left Me (I Went Deaf) |
| 14 | 14 | 4 | YUNG MIAMI | Spend Dat |
| 15 | 13 | 7 | ELEVATION WORSHIP & CHANDLER MOORE | God I'm Just Grateful |
| 16 | 10 | 7 | BRUNO MARS | Risk It All |
| 17 | 44 | 2 | MADONNA | Love Sensation |
| 18 | 18 | 5 | ELLA LANGLEY | Dandelion |
| 19 | 16 | 7 | OLIVIA RODRIGO | Drop Dead |
| 20 | 27 | 5 | SHAKIRA & BURNA BOY | Dai Dai |
| 21 | 11 | 7 | T.I. | Let 'Em Know |
| 22 | 19 | 4 | OLIVIA RODRIGO | The Cure |
| 23 | 25 | 7 | ALEX WARREN | Fever Dream |
| 24 | 23 | 7 | TAME IMPALA | Dracula |
| 25 | 41 | 6 | KEITH URBAN | Summer Breeze |
| 26 | 24 | 7 | SOMBR | Homewrecker |
| 27 | 31 | 7 | JOSH FAWAZ | Like A Prayer |
| 28 | 28 | 7 | TEDDY SWIMS | Mr. Know It All |
| 29 | 22 | 7 | ELLA LANGLEY | Loving Life Again |
| 30 | 29 | 7 | DEXTER AND THE MOONROCKS | Freakin' Out |
| 31 | 21 | 7 | RAYE | Where Is My Husband! |
| 32 | 15 | 4 | G FLIP | Bed On Fire |
| 33 | 46 | 5 | EVANESCENCE | Who Will You Follow |
| 34 | 60 | 7 | KEITH URBAN feat. MICHAEL McDONALD | We Go Back |
| 35 | 17 | 4 | DRAKE | Janice STFU |
| 36 | 61 | 5 | KEITH URBAN | Steal Away |
| 37 | 53 | 2 | ALEX WARREN | Passenger |
| 38 | 70 | 5 | MADONNA & SABRINA CARPENTER | Bring Your Love |
| 39 | 30 | 7 | NOAH KAHAN | The Great Divide |
| 40 | NEW | 1 | HAN | Back To Life |
| 41 | 45 | 2 | LAINEY WILSON & JOHN MAYER | Phone, Keys, Wallet |
| 42 | 73 | 6 | DJO | End Of Beginning |
| 43 | 37 | 7 | HARDY, ERIC CHURCH, MORGAN WALLEN & TIM MCGRAW | McArthur |
| 44 | 34 | 5 | GRACIE ABRAMS | Hit The Wall |
| 45 | 20 | 7 | RILEY GREEN | My Way |
| 46 | NEW | 1 | JACK WHITE | Dollar Bill |
| 47 | NEW | 1 | DRAKE | Shabang |
| 48 | NEW | 1 | THE MENZINGERS | Better Angels |
| 49 | 38 | 6 | ZARA LARSSON | Midnight Sun |
| 50 | NEW | 1 | ANDREA BOCELLI, DAVID GUETTA, EJAE & MEGAN THEE STALLION | DNA (More Than A Game) |
| 51 | NEW | 1 | BTS | Come Over |
| 52 | NEW | 1 | CODY JOHNSON | Horseback |
| 53 | NEW | 1 | AARON LEWIS | The Door |
| 54 | 67 | 5 | HARRY STYLES | American Girls |
| 55 | NEW | 1 | MARIA WIRRIES, L.J. BENET & ORIGINAL BROADWAY CAST OF THE LOST BOYS | Now, Forever |
| 56 | NEW | 1 | TRANSFORMERS & BRITTNEY SLAYES | The Transformers (Theme) [Reformatted Edition] |
| 57 | NEW | 1 | THE REVIVALISTS | Get It Honest |
| 58 | NEW | 1 | LE SSERAFIM, ILLIT & KATSEYE | Iconic By Mistake |
| 59 | NEW | 1 | BLAKE WHITEN | Barely Gettin' By |
| 60 | NEW | 1 | TOVE LO & STROMAE | Des Fleurs |
| 61 | NEW | 1 | RICK ROSS feat. T.I. | Mahogany Caskets |
| 62 | NEW | 1 | CHARLES WESLEY GODWIN & WYATT FLORES | Hey There Son |
| 63 | 52 | 2 | MUSE | Nightshift Superstar |
| 64 | NEW | 1 | BRING ME THE HORIZON | Black & Blue (2026 Repented) |
| 65 | NEW | 1 | DANIEL PEMBERTON & BRIAN MAY | Eternia |
| 66 | NEW | 1 | BABYMONSTER | Sugar Honey Ice Tea |
| 67 | NEW | 1 | MARILYN MANSON | Exit Wound |
| 68 | NEW | 1 | NIKO MOON | Get Country |
| 69 | NEW | 1 | HONESTAV & MGK | Crash First |
| 70 | NEW | 1 | OLIVIA RODRIGO | Stupid Song |
| 71 | 65 | 3 | MUMFORD AND SONS & CHRIS STAPLETON | Here |
| 72 | 93 | 6 | MADONNA | I Feel So Free |
| 73 | 66 | 5 | THE RED CLAY STRAYS | Demons In Your Choir |
| 74 | NEW | 1 | CORAY | Esto Es México |
| 75 | NEW | 1 | INTERPOL | See Out Loud |
| 76 | NEW | 1 | LOCASH & PARMALEE | Let The Country Music Play |
| 77 | NEW | 1 | THE WARNING | Ritual |
| 78 | NEW | 1 | BACKSTREET BOYS & PAW PATROL | Bottle Up |
| 79 | 62 | 7 | TAYLOR SWIFT | Opalite |
| 80 | RE | 2 | THE WARNING | Ego |
| 81 | NEW | 1 | GRACE POTTER | Run Baby Run |
| 82 | NEW | 1 | THE WARNING | Kerosene |
| 83 | 63 | 2 | ELECTRIC CALLBOY feat. THE OFFSPRING | Let The Good Times Roll |
| 84 | NEW | 1 | BRIAN FALLON | Pearls |
| 85 | 64 | 7 | LUKE COMBS | Sleepless In A Hotel Room |
| 86 | NEW | 1 | OMAR COURTZ | Koko |
| 87 | NEW | 1 | INTERPOL | This Mirror Weighs A Ton |
| 88 | NEW | 1 | TRAIN | Pennsylvania Turnpike |
| 89 | 84 | 3 | SHABOOZEY | Born To Die |
| 90 | NEW | 1 | NIALL HORAN | Dinner Party |
| 91 | NEW | 1 | OLANDRIA feat. NEEF, MILK, DES DOLLA$ & KIMORA | Ola Doll Anthem |
| 92 | RE | 2 | BRANDON LAKE & LAINEY WILSON | The Jesus I Know Now |
| 93 | NEW | 1 | MICAH TYLER | Perfectly |
| 94 | 26 | 3 | RILEY GREEN | Think As You Drunk |
| 95 | NEW | 1 | MOVEMENTS | Everything Is Fine |
| 96 | NEW | 1 | WILLOW AVALON | Work To Do |
| 97 | NEW | 1 | FENIX FLEXIN, SHORELINE MAFIA & PURPS ON THE BEAT | Rubberz |
| 98 | RE | 2 | HUGEL, IMAEL ANGEL & ULTRA NATÉ | Movin' ToThe Sun |
| 99 | 71 | 3 | SLAYYYTER | Dance... |
| 100 | 78 | 7 | BTS | Swim |
| LEAVING THIS WEEK | ||||
| OLIVIA DEAN | Man I Need | |||
| DEATH CAB FOR CUTIE | Stone Over Water | |||
| SARA BAREILLES | Home | |||
| SARA BAREILLES feat. BRANDI CARLILE | Salt Then Sour Then Sweet | |||
| MASTODON | Your Ghost Again | |||
| CODY JOHNSON | Take Me Back (Leave Me There) | |||
| ROLE MODEL | High Hopes 3000 | |||
| VINCE STAPLES | Cotton | |||
| DEVILDRIVER | Dead In The Water | |||
| A PERFECT CIRCLE | Starless | |||
| MERCYME | Make It Well | |||
| WEEZER feat. WEDNESDAY | We Might As Well Be Strangers | |||
| SIENNA SPIRO | Material Lover | |||
| FORREST FRANK | The Jesus Generation | |||
| SHAKIRA | Zoo | |||
| AESPA | Lemonade | |||
| EVERGREY feat. MIKAEL STANNE | A Burning Flame | |||
| ADAM LAMBERT | Under The Rhythm | |||
| WEEZER | Shine Again | |||
| ALEX WARREN | Fine Place To Die | |||
| PRINCE | Stone | |||
| SUBLIME | Gangstalker | |||
| CIGARETTES @ SUNSET | Appalachian Raised | |||
| SIENNA SPIRO | Die On This Hill | |||
| GAVIN ADCOCK & HUDSON WESTBROOK | Cheap Thrills | |||
| DAVID WIMBISH & THE COLLECTION | Sermon | |||
| LEE BRICE | What You Know About That | |||
| MICHAEL STIPE & ANDREW WATT | I Played The Fool | |||
| JON BATISTE | Shine | |||
| DEEP PURPLE | Diablo | |||
| EVA UNDER FIRE | The Words You Say | |||
| EVERLAST | Losing Man's Game | |||
| FLO | Don't Break Her Heart | |||
| PRINCE | With This Tear | |||
| TINASHE | Too Easy | |||
| WE ARE MESSENGERS | Lay It All on You | |||
| DAVID GUETTA, ALOK & STICK FIGURE | Run Run River (Angels Above Me) | |||
| ELLIE GOULDING | Black Prada Dress | |||
| BEBE REXHA & DAVID GUETTA | Sad Girls | |||
| SHINEDOWN | Searchlight | |||
| BOSSMAN DLOW & MEGAN THEE STALLION | Motion Party (Remix) | |||
| IN THIS MOMENT | Sleeping With The Enemy | |||
| PROF | Kia Boy |
🎵 US iTunes Downloads: Taylor Swift Explodes Back to No.1 as Madonna, Shaboozey and Country Stars Shake Up the Chart
The latest US iTunes Singles Chart delivers one of the most spectacular weeks of the year, fueled by blockbuster debuts, soundtrack momentum and a continued country music boom. While several established hits maintain their positions, the biggest story belongs to Taylor Swift, whose latest release rockets from No.47 to No.1 in only its second week.
🚀 Taylor Swift Claims a Massive No.1 With « I Knew It, I Knew You »
The week’s most impressive movement comes from Taylor Swift, whose « I Knew It, I Knew You » surges 46 places to become the most downloaded song in America.
The track has benefited from enormous media exposure thanks to its inclusion in the upcoming Toy Story 5 soundtrack. Swift recently premiered the song during the film’s Los Angeles premiere alongside legendary composer Randy Newman, generating widespread attention across entertainment media. Industry reports also indicate that the single opened with one of the strongest pure-sales weeks of 2026 in the United States, reportedly moving around 87,000 downloads during its debut frame while simultaneously launching at No.1 on several major Billboard rankings.
The song also marks a notable return to Swift’s country roots, a direction that has resonated strongly with longtime fans and collectors who remain highly active purchasers on download platforms. The result is a dominant No.1 that looks fully justified by both commercial performance and cultural impact.
🤠 Ella Langley Continues Her Country Domination
While Swift grabs the headlines, Ella Langley remains the chart’s most dominant overall presence.
« Choosin’ Texas » holds firm at No.2, « Be Her » remains at No.3, while collaborations and album tracks continue to populate the Top 30. Few artists have managed such a concentrated chart takeover in recent years.
The momentum surrounding Langley reflects her breakthrough status within contemporary country music. The official video for « Choosin’ Texas, » filmed at the historic Stagecoach Ballroom in Fort Worth, has further strengthened the song’s connection with traditional country audiences while expanding her mainstream visibility.
The stability of multiple Langley titles after seven weeks demonstrates that her success is not simply driven by first-week fan purchases. Instead, consumers continue returning to her catalogue week after week.
🐎 Shaboozey Gallops Back Into The Top 5
The spectacular rise of Shaboozey’s « Cowgirl » from No.49 to No.4 represents one of the week’s biggest breakthroughs.
Many observers initially viewed Shaboozey through the lens of « A Bar Song (Tipsy), » the crossover smash that became one of the defining global hits of 2024 and generated more than 1.7 billion Spotify streams. However, recent numbers suggest the artist is successfully building a sustainable catalogue rather than relying on a single blockbuster.
The momentum around « Cowgirl » comes as Shaboozey prepares the next chapter of his career through the rollout of his forthcoming concept project The Outlaw Cheri Lee & Other Western Tales. Lead single « Born To Die » was launched in April and continues to perform strongly, remaining inside the iTunes Top 100 this week at No.89.
Streaming data further highlights the scale of his growth. « Born To Die » has already accumulated more than 17 million Spotify streams, while « Cowgirl » is rapidly gaining traction across country playlists and digital platforms.
The simultaneous success of both tracks suggests that consumers are buying into the broader artistic vision behind Shaboozey’s western-inspired universe. For an artist often associated with streaming culture, this jump into the iTunes Top 5 demonstrates a growing ability to convert casual listeners into paying fans.
💔 Ariana Grande Starts To Cool After Early Success
After debuting at No.1 last week, Ariana Grande’s « Hate That I Made You Love Me » slips to No.5.
The decline is hardly alarming given the exceptional competition entering the market this week. Nevertheless, the movement illustrates the challenge of maintaining download momentum when major event releases from artists such as Taylor Swift enter the marketplace.
Despite the drop, the single remains one of the strongest-performing pop releases currently available for purchase.
✨ Madonna Enjoys A Remarkable Revival
One of the most fascinating stories on the chart belongs to Madonna.
« Love Sensation » climbs from No.44 to No.17, while the collaboration with Sabrina Carpenter, « Bring Your Love, » vaults from No.53 to No.38. Meanwhile, « I Feel So Free » rises dramatically from No.93 to No.72.
The renewed interest follows months of buzz surrounding Madonna’s forthcoming album Confessions II and the high-profile launch of « Bring Your Love, » which was first unveiled during Sabrina Carpenter’s Coachella appearance. The collaboration successfully bridges generations of pop fans, attracting both longtime Madonna supporters and Carpenter’s younger audience.
The simultaneous gains across several titles suggest that consumers are revisiting Madonna’s broader catalogue rather than responding to a single isolated release.
🎸 Keith Urban Emerges As A Silent Winner
One of the most impressive stories of the week belongs to Keith Urban, who places three songs inside the Top 40 and records some of the strongest gains on the entire chart.
« Summer Breeze » climbs from No.41 to No.25, « We Go Back » featuring Michael McDonald jumps from No.60 to No.34, while « Steal Away » surges from No.61 to No.36. Such synchronized growth across multiple tracks is rarely accidental and points directly to the strong launch of Urban’s newly released album Flow State. The project, released on June 12, is built around the resurgence of yacht rock and includes collaborations with Michael McDonald, John Mayer and Little Big Town.
The commercial impact has been amplified by Urban’s ongoing live appearances. Just days ago, he performed « We Go Back » alongside Michael McDonald during CMA Fest, generating substantial exposure among country and adult contemporary audiences.
What’s particularly noteworthy is that iTunes buyers appear to be consuming the album as a body of work rather than focusing on a single track. In an era dominated by streaming, generating three simultaneous download hits is a strong indicator of an engaged purchasing audience. The chart suggests that Flow State is resonating especially well with older music consumers who remain highly active on digital ownership platforms.
🔥 Alex Warren Continues Building Momentum
Social-media sensation turned chart contender Alex Warren posts another strong week.
While « Fever Dream » edges up to No.23, the newer « Passenger » enters the upper half of the chart at No.37 after debuting only last week.
Warren’s transition from digital creator to genuine music star continues to gain credibility as consumers increasingly support his releases through paid downloads rather than relying solely on streaming platforms.
🎤 Olivia Rodrigo Adds Another New Entry
Few artists are generating more conversation this month than Olivia Rodrigo, whose third studio album You Seem Pretty Sad For A Girl So In Love arrived last week to widespread critical acclaim.
The project is already being described by several major publications as her most mature and ambitious work to date, with critics praising its blend of 1980s influences, alternative rock textures and emotionally detailed songwriting.
That momentum is clearly reflected on iTunes. « Drop Dead » remains inside the Top 20 at No.19, « The Cure » holds at No.22, while new focus track « Stupid Song » debuts at No.70. Rather than being driven by a single breakout hit, Rodrigo is benefiting from album-wide consumption patterns.
The timing of « Stupid Song » is particularly important. The singer has just unveiled a high-profile music video and delivered a nationally televised performance on Jimmy Kimmel Live!, introducing the track to a broader audience beyond her core fanbase.
Meanwhile, « The Cure » has become one of the most discussed songs from the album, partly because of public curiosity surrounding Rodrigo’s relationship with Robert Smith of The Cure, who also appears elsewhere on the record. Rodrigo herself recently described the track as one of her personal favorites from the project.
Perhaps most impressively, industry observers report that Rodrigo became the first artist of 2026 to score three different Spotify Global No.1 songs from the same era, underlining the exceptional level of public engagement surrounding the album campaign.
The presence of three separate songs on the iTunes chart therefore reflects something larger than isolated download spikes: it signals the arrival of a major album cycle that is currently dominating both sales and streaming conversations.
🎶 Notable New Entries Worth Watching
This week’s chart introduces an unusually large number of debuts, reflecting an active release schedule across multiple genres.
Among the most interesting newcomers:
- HAN enters at No.40 with « Back To Life ».
- Jack White debuts at No.46 with « Dollar Bill ».
- BTS return at No.51 with « Come Over ».
- LE SSERAFIM, ILLIT & KATSEYE arrive at No.58 with « Iconic By Mistake ».
- BABYMONSTER lands at No.66 with « Sugar Honey Ice Tea ».
- Bring Me The Horizon enters at No.64 with « Black & Blue (2026 Repented) ».
- The Warning score multiple appearances, including new entries « Ritual » and « Kerosene » alongside the returning « Ego ».
The diversity of these debuts highlights how iTunes buyers continue to support niche fan communities, rock acts and international artists in ways that are not always reflected on streaming-focused charts.
📈 The Bigger Picture
This week’s iTunes ranking confirms several broader trends shaping the US download market in 2026.
Country music remains the dominant commercial force, with artists such as Ella Langley, Luke Combs, Keith Urban, Lainey Wilson, Shaboozey and Morgan Wallen-related projects occupying significant chart real estate.
At the same time, event-driven releases continue to generate enormous purchasing activity. Taylor Swift’s soundtrack contribution demonstrates that a well-executed media moment can still mobilize consumers to buy music outright, even in an era dominated by streaming.
With major releases from pop, country, K-pop and rock artists all arriving simultaneously, the coming weeks should provide plenty of competition for the No.1 position. For now, however, the crown clearly belongs to Taylor Swift, whose latest triumph proves once again that when she releases new music, the download market still moves with her.

