This ranking for the USA, dated 14 June 2026, reflects the popularity of the most listened-to and best-selling current and new singles over a week. It therefore provides the most representative information possible
| TW | LW | Wks | Artist | Title |
|---|---|---|---|---|
| 1 | 1 | 7 | BRUNO MARS | I Just Might |
| 2 | 3 | 7 | ELLA LANGLEY | Choosin' Texas |
| 3 | 2 | 7 | OLIVIA DEAN | So Easy (To Fall In Love) |
| 4 | 6 | 3 | ARIANA GRANDE | Hate That I Made You Love Me |
| 5 | 5 | 7 | BRUNO MARS | Risk It All |
| 6 | 7 | 7 | ELLA LANGLEY | Be Her |
| 7 | 8 | 7 | OLIVIA RODRIGO | Drop Dead |
| 8 | 9 | 7 | TAME IMPALA | Dracula |
| 9 | 10 | 7 | SOMBR | Homewrecker |
| 10 | 76 | 2 | TAYLOR SWIFT | I Knew It, I Knew You |
| 11 | 12 | 7 | ALEX WARREN | Fever Dream |
| 12 | 23 | 7 | FRENCH MONTANA & MAX B | Ever Since U Left Me (I Went Deaf) |
| 13 | 11 | 7 | ELLA LANGLEY & MORGAN WALLEN | I Can't Love You Anymore |
| 14 | 18 | 7 | LUKE COMBS | Be By You |
| 15 | 15 | 7 | TEDDY SWIMS | Mr. Know It All |
| 16 | 13 | 7 | ZARA LARSSON | Midnight Sun |
| 17 | 17 | 5 | GRACIE ABRAMS | Hit The Wall |
| 18 | 19 | 7 | NOAH KAHAN | The Great Divide |
| 19 | 16 | 4 | DRAKE | Janice STFU |
| 20 | 21 | 7 | HARRY STYLES | American Girls |
| 21 | 30 | 7 | MADONNA & SABRINA CARPENTER | Bring Your Love |
| 22 | 27 | 3 | YUNG MIAMI | Spend Dat |
| 23 | 32 | 7 | STELLA LEFTY | Boston |
| 24 | 22 | 7 | T.I. | Let 'Em Know |
| 25 | 24 | 7 | HARDY, ERIC CHURCH, MORGAN WALLEN & TIM MCGRAW | McArthur |
| 26 | 60 | 6 | DJO | End Of Beginning |
| 27 | 20 | 7 | TAYLOR SWIFT | Opalite |
| 28 | 31 | 7 | PINKPANTHERESS & ZARA LARSSON | Stateside |
| 29 | 80 | 2 | SHABOOZEY | Cowgirl |
| 30 | 25 | 7 | LUKE COMBS | Sleepless In A Hotel Room |
| 31 | 4 | 7 | OLIVIA DEAN | Man I Need |
| 32 | 33 | 7 | CAMERON WHITCOMB | Kingdom Of Fear |
| 33 | 26 | 7 | SIENNA SPIRO | Die On This Hill |
| 34 | 43 | 7 | DEXTER AND THE MOONROCKS | Freakin' Out |
| 35 | 52 | 5 | FORREST FRANK | Okay! |
| 36 | 35 | 7 | TAYLOR SWIFT | Elizabeth Taylor |
| 37 | 36 | 7 | ONEREPUBLIC | Need Your Love |
| 38 | 34 | 7 | ELEVATION WORSHIP & CHANDLER MOORE | God I'm Just Grateful |
| 39 | 28 | 7 | BTS | Swim |
| 40 | 71 | 2 | MADONNA | Love Sensation |
| 41 | 38 | 5 | ELLA LANGLEY | Dandelion |
| 42 | 47 | 4 | SHAKIRA & BURNA BOY | Dai Dai |
| 43 | 44 | 7 | JOSH ROSS | Hate How You Look |
| 44 | 39 | 4 | OLIVIA RODRIGO | The Cure |
| 45 | 40 | 7 | RILEY GREEN | Change My Mind |
| 46 | 50 | 7 | JASON ALDEAN | Don't Tell On Me |
| 47 | 64 | 5 | KEITH URBAN | Summer Breeze |
| 48 | 51 | 7 | JOSH FAWAZ | Like A Prayer |
| 49 | 49 | 7 | MORGAN WALLEN | Don't We |
| 50 | 42 | 7 | ELLA LANGLEY | Loving Life Again |
| 51 | 45 | 4 | JUSTIN BIEBER | Speed Demon |
| 52 | 53 | 7 | MEGAN MORONEY | Beautiful Things |
| 53 | 14 | 7 | RAYE | Where Is My Husband! |
| 54 | 37 | 4 | G FLIP | Bed On Fire |
| 55 | 59 | 5 | TEMS | What You Need |
| 56 | 73 | 4 | EVANESCENCE | Who Will You Follow |
| 57 | 100 | 5 | KEITH URBAN feat. MICHAEL McDONALD | We Go Back |
| 58 | RE | 3 | KEITH URBAN | Steal Away |
| 59 | 65 | 2 | SABRINA CARPENTER | House Tour |
| 60 | 85 | 2 | ALEX WARREN | Passenger |
| 61 | 48 | 7 | JORDAN DAVIS | Turn This Truck Around |
| 62 | 57 | 7 | SABRINA CARPENTER | When Did You Get Hot? |
| 63 | 66 | 7 | COREY KENT & KOE WETZEL | Rocky Mountain Low |
| 64 | 70 | 7 | BAILEY ZIMMERMAN | Chevy Silverado |
| 65 | NEW | 1 | HAN | Back To Life |
| 66 | 72 | 2 | LAINEY WILSON & JOHN MAYER | Phone, Keys, Wallet |
| 67 | 75 | 7 | KANE BROWN | Woman |
| 68 | 86 | 7 | CHRIS BROWN | Obvious |
| 69 | RE | 4 | GEORGE BIRGE & LUKE BRYAN | Ride, Ride, Ride |
| 70 | 82 | 5 | DABABY | Pop Dat Thang |
| 71 | 41 | 7 | RILEY GREEN | My Way |
| 72 | 79 | 7 | DON TOLIVER | Body |
| 73 | NEW | 1 | JACK WHITE | Dollar Bill |
| 74 | 78 | 4 | DRAKE | 2 Hard 4 The Radio |
| 75 | NEW | 1 | DRAKE | Shabang |
| 76 | 63 | 6 | SABRINA CARPENTER | Go Go Juice |
| 77 | NEW | 1 | THE MENZINGERS | Better Angels |
| 78 | NEW | 1 | ANDREA BOCELLI, DAVID GUETTA, EJAE & MEGAN THEE STALLION | DNA (More Than A Game) |
| 79 | 91 | 3 | ELLA MAI | 100 |
| 80 | NEW | 1 | BTS | Come Over |
| 81 | 94 | 5 | TYLA feat. ZARA LARSSON | She Did It Again |
| 82 | NEW | 1 | CODY JOHNSON | Horseback |
| 83 | 89 | 7 | LUKE BRYAN | Country And She Knows It |
| 84 | NEW | 1 | AARON LEWIS | The Door |
| 85 | 83 | 6 | DON TOLIVER | E85 |
| 86 | 68 | 7 | TUCKER WETMORE | Brunette |
| 87 | NEW | 1 | MARIA WIRRIES, L.J. BENET & ORIGINAL BROADWAY CAST OF THE LOST BOYS | Now, Forever |
| 88 | RE | 3 | KENNY CHESNEY | Carry On |
| 89 | NEW | 1 | TRANSFORMERS & BRITTNEY SLAYES | The Transformers (Theme) [Reformatted Edition] |
| 90 | NEW | 1 | NIALL HORAN | Tastes So Good |
| 91 | NEW | 1 | THE REVIVALISTS | Get It Honest |
| 92 | NEW | 1 | LE SSERAFIM, ILLIT & KATSEYE | Iconic By Mistake |
| 93 | RE | 4 | ZACH TOP | South Of Sanity |
| 94 | NEW | 1 | BLAKE WHITEN | Barely Gettin' By |
| 95 | RE | 3 | DAN + SHAY | Say So |
| 96 | 95 | 2 | DAVE & TEMS | Raindance |
| 97 | NEW | 1 | TOVE LO & STROMAE | Des Fleurs |
| 98 | RE | 2 | JOHNNY VENUS | I Want You Back |
| 99 | NEW | 1 | RICK ROSS feat. T.I. | Mahogany Caskets |
| 100 | NEW | 1 | CHARLES WESLEY GODWIN & WYATT FLORES | Hey There Son |
| LEAVING THIS WEEK | ||||
| KEHLANI | Folded | |||
| RILEY GREEN | Think As You Drunk | |||
| DEATH CAB FOR CUTIE | Stone Over Water | |||
| BABY KEEM feat. KENDRICK LAMAR & MOMO BOYD | Good Flirts | |||
| SARA BAREILLES | Home | |||
| SARA BAREILLES feat. BRANDI CARLILE | Salt Then Sour Then Sweet | |||
| MASTODON | Your Ghost Again | |||
| CODY JOHNSON | Take Me Back (Leave Me There) | |||
| ROLE MODEL | High Hopes 3000 | |||
| VINCE STAPLES | Cotton | |||
| GUNNA feat. BURNA BOY | Wgft | |||
| DEVILDRIVER | Dead In The Water | |||
| A PERFECT CIRCLE | Starless | |||
| MUSE | Nightshift Superstar | |||
| LADY GAGA & DOECHII | Runway | |||
| MERCYME | Make It Well | |||
| WEEZER feat. WEDNESDAY | We Might As Well Be Strangers | |||
| SIENNA SPIRO | Material Lover | |||
| FORREST FRANK | The Jesus Generation | |||
| SHAKIRA | Zoo | |||
| AESPA | Lemonade | |||
| LIL UZI VERT | What You Saying | |||
| BELLY GANG KUSHINGTON & YKNIECE | Friend Do Remix |
🎯 US Radio & iTunes Combined Chart: Bruno Mars Holds Firm as Taylor Swift Ignites the Biggest Surge of the Week
The latest edition of the combined US Radio Airplay and iTunes Download Chart delivers one clear message: established superstars are leveraging major media moments and strategic releases to dominate consumer demand, while country music continues to strengthen its grip on both radio and digital purchasing behavior.
At the summit, Bruno Mars remains untouchable, but the week’s most spectacular story belongs to Taylor Swift, whose explosive return to country-inspired songwriting has triggered one of the strongest download-driven climbs of the year.
🚀 Taylor Swift’s Blockbuster Jump Changes the Landscape
The most impressive movement of the week comes from Taylor Swift, whose « I Knew It, I Knew You » rockets from No. 76 to No. 10 in only its second chart week.
The surge is hardly surprising. The track was unveiled as an original song for Toy Story 5 and immediately became a major cultural event. Industry reports indicate that the song broke first-day streaming records on Spotify, Apple Music and Amazon Music for a soundtrack release while also becoming one of the most downloaded titles in the country. The song’s nostalgic country flavor has resonated strongly with longtime fans, many of whom view it as a return to the storytelling roots that launched Swift’s career. Recent media coverage surrounding the Toy Story 5 premiere has only amplified visibility and consumer interest.
The result is a massive digital-sales advantage that is now spilling over into radio exposure.
Meanwhile, Swift also places additional titles inside the Top 40, including « Opalite » (No. 27) and « Elizabeth Taylor » (No. 36), reinforcing her continued dominance across multiple audience segments.
👑 Bruno Mars Continues His Remarkable 2026 Run
For a seventh consecutive week, Bruno Mars remains at No. 1 with « I Just Might. »
The song has proven exceptionally resilient thanks to a rare combination of radio strength and download appeal. Since the release of his album The Romantic, Mars has enjoyed one of the strongest comeback campaigns of the decade. The album debuted at No. 1 and generated sustained momentum for both « I Just Might » and fellow hit « Risk It All, » which remains firmly planted inside the Top 5 this week.
What makes Mars particularly dangerous in this format is his cross-generational appeal. Adult Contemporary, Pop and Hot AC stations continue to support him heavily, while download buyers remain unusually active compared with many streaming-era artists.
🔥 Ariana Grande’s Momentum Keeps Growing
One of the chart’s biggest gainers inside the Top 10 is Ariana Grande, whose « Hate That I Made You Love Me » climbs 6-4 during only its third week.
The single has rapidly become one of the defining pop releases of early summer. Ahead of the July release of her forthcoming album Petal, Grande has generated enormous attention through both media appearances and her highly praised return to touring. Industry reports recently highlighted the song’s global streaming dominance, including a No. 1 debut in major markets and exceptional Spotify activity.
The combination of intense fan demand and increasing radio rotations suggests the track could soon challenge for the chart summit.
🤠 Ella Langley Emerges as Country’s Breakout Force
Few artists are enjoying a stronger year than Ella Langley.
« Choosin’ Texas » rises 3-2, placing the singer within striking distance of the chart’s top position. At the same time, « Be Her » advances to No. 6, « I Can’t Love You Anymore » with Morgan Wallen holds inside the Top 15, and « Dandelion » continues its ascent at No. 41.
This multi-song presence reflects a broader trend in American radio, where female country artists are experiencing renewed momentum. Langley’s ability to convert radio exposure into paid downloads has become one of the biggest stories of the format.
📈 French Montana & Max B Deliver a Surprise Climber
Another notable winner this week is French Montana & Max B, whose « Ever Since U Left Me (I Went Deaf) » vaults from No. 23 to No. 12.
The record has benefited from strong social-media engagement and renewed attention surrounding Max B’s long-awaited return to the spotlight. While radio support remains moderate compared with mainstream pop releases, download activity appears to be driving the song upward at an impressive pace.
If airplay expands over the coming weeks, a Top 10 breakthrough is increasingly realistic.
🎸 Luke Combs Strengthens His Position
Country superstar Luke Combs continues to demonstrate extraordinary consistency.
« Be By You » climbs four places to No. 14, while « Sleepless In A Hotel Room » remains securely inside the Top 30. Unlike many contemporary country releases that rely heavily on streaming, Combs continues to perform exceptionally well among radio audiences and traditional music buyers.
That balanced audience profile remains a major competitive advantage in a chart weighted toward both airplay and downloads.
🎶 Djo Becomes One of the Week’s Fastest Movers
One of the chart’s most eye-catching gains belongs to Djo, whose viral favorite « End Of Beginning » leaps from No. 60 to No. 26.
The song’s continued endurance demonstrates how viral catalog tracks can maintain commercial relevance long after their initial breakthrough. Sustained social-media usage and ongoing digital purchases have allowed the track to remain a powerful force despite intense competition from newer releases.
🌟 Madonna Scores a Double Win
A remarkable late-career achievement is unfolding for Madonna.
The collaboration with Sabrina Carpenter, « Bring Your Love, » climbs to No. 21, while solo single « Love Sensation » explodes from No. 71 to No. 40 in just its second chart week.
The renewed momentum reflects strong fan engagement and highlights Madonna’s continued ability to generate download sales, particularly among dedicated audiences who remain highly active purchasers.
🔥 Country Music Dominates the Mid-Chart
Beyond the headline moves, country remains the week’s defining genre.
Major gains come from:
- Shaboozey – « Cowgirl » (80-29)
- Keith Urban – « Summer Breeze » (64-47)
- Keith Urban feat. Michael McDonald – « We Go Back » (100-57)
- George Birge & Luke Bryan – « Ride, Ride, Ride » (re-entry at No. 69)
- Zach Top – « South Of Sanity » (re-entry at No. 93)
The sheer volume of country titles moving upward illustrates how strongly the format continues to perform across both terrestrial radio and digital purchasing channels.
📉 Biggest Declines of the Week
Not every major artist enjoyed positive momentum.
Olivia Dean’s « Man I Need » suffers one of the chart’s sharpest drops, sliding from No. 4 to No. 31 despite her continued Top 3 presence with « So Easy (To Fall In Love). »
Meanwhile, RAYE experiences a significant correction as « Where Is My Husband! » tumbles from No. 14 to No. 53.
Riley Green’s « My Way » also retreats sharply, falling from No. 41 to No. 71.
These declines suggest that download support may be softening even where radio exposure remains healthy.
🎤 New Entries Worth Watching
Several fresh debuts could become major stories in the coming weeks:
- HAN – « Back To Life » (No. 65)
- Jack White – « Dollar Bill » (No. 73)
- BTS – « Come Over » (No. 80)
- Cody Johnson – « Horseback » (No. 82)
- Niall Horan – « Tastes So Good » (No. 90)
- LE SSERAFIM, ILLIT & KATSEYE – « Iconic By Mistake » (No. 92)
- Tove Lo & Stromae – « Des Fleurs » (No. 97)
Among these, BTS and the multinational collaboration between LE SSERAFIM, ILLIT and KATSEYE possess particularly strong fan-driven download potential that could translate into rapid chart growth.
🔍 Final Analysis
This week’s ranking highlights three dominant themes shaping the American music market.
First, Bruno Mars remains the benchmark for sustained mainstream success. Second, Taylor Swift has once again demonstrated her unmatched ability to transform a soundtrack contribution into a major commercial event. Finally, country music continues to expand its influence, with Ella Langley, Luke Combs, Shaboozey, and Keith Urban all benefiting from a marketplace where radio and paid downloads still matter enormously.
With Ariana Grande gaining momentum ahead of Petal, Swift’s soundtrack phenomenon accelerating, and several country titles building strength, next week’s battle for the upper reaches of the chart promises to be one of the most competitive of the summer.

